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Shaun Tan's "The Arrival". Interpretation and L...
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Document from the year 2018 in the subject Didactics - English - Literature, Works, grade: 1.3, Christian-Albrechts-University of Kiel (Englisches Seminar), language: English, abstract: This text contains an essay and the schedule for an English lesson (seventh/eighth grade Gymnasium). The author shows how to introduce the graphic novel "The Arrival" by Shaun Tan. This book starts with an essay discussing and interpreting the novel. After this, the author describes how the novel could be dealt with by teachers.

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Stand: 30.03.2020
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The Stolen Chapters: Story Thieves, Book 2 , Hö...
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Owen, Kiel, and Bethany confront secrets, stolen memories, and some very familiar faces in the follow-up to the second book in the New York Times best-selling series The Story Thieves - which was called a "fast-paced, action-packed tale" by School Library Journal - from the author of the Half Upon a Time trilogy.  Owen Conners' whole life changed the day he found out his classmate Bethany was half fictional and could take him into any book in the library. Which story would they jump into next? Another fantasy, like the Kiel Gnomenfoot, Magic Thief books? Maybe something with superheroes? Owen's up for anything except mysteries - those just have too many hidden clues, twists that make no sense, and an ending you never see coming.  Then Owen wakes up in a real-life mystery with a memory that's been erased and too many questions. How did Kiel Gnomenfoot lose all of his magic? Where is Bethany? And who's the annoying guy wearing the question mark mask and Sherlock Holmes hat, taunting Owen and Kiel that Bethany is in grave danger?  Bethany is trapped in a hidden room that's slowly filling with water, and she can't escape until her friends find her. But is she imprisoned by more than just chains and a locked door? What's she hiding from Owen and Kiel? Mentions of "Missing Text" in this audiobook are intentional and are part of the story. 1. Language: English. Narrator: Kirby Heyborne. Audio sample: http://samples.audible.de/bk/sans/007718/bk_sans_007718_sample.mp3. Digital audiobook in aax.

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Story Thieves: Story Thieves, Book 1 , Hörbuch,...
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This "clever opener likely to leave readers breathless both with laughter and anticipation" (Kirkus Reviews, starred review) is the first in the New York Times best-selling series from the author of the Half Upon a Time trilogy. Life is boring when you live in the real world instead of starring in your own book series. Owen knows that better than anyone, what with the real world's homework and chores. But everything changes the day Owen sees the impossible happen - his classmate Bethany climbs out of a book in the library. It turns out Bethany's half fictional and has been searching every book she can find for her missing father, a fictional character. Bethany can't let anyone else learn her secret, so Owen makes her a deal: All she has to do is take him into a book in Owen's favorite Kiel Gnomenfoot series, and he'll never say a word. Besides, visiting the book might help Bethany find her father.... ...Or it might just destroy the Kiel Gnomenfoot series, reveal Bethany's secret to the entire world, and force Owen to live out Kiel Gnomenfoot's final (very final) adventure. 1. Language: English. Narrator: Kirby Heyborne. Audio sample: http://samples.audible.de/bk/sans/007719/bk_sans_007719_sample.mp3. Digital audiobook in aax.

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Harvard Business Review, April 2015, Hörbuch, D...
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In this issue:IDEA WATCH"Measuring the Return on Character" by Fred Kiel. FEATURE ARTICLES"Reinventing Performance Management" by Marcus Buckingham and Ashley Goodall. "Leadership Lessons from Great Family Businesses" by Claudio Fernández-Aráoz, Sonny Iqbal, and Jörg Ritter."How to Launch Your Digital Platform" by Benjamin Edelman. Please Note: Harvard Business Review does not publish in August. 1. Language: English. Narrator: Todd Mundt. Audio sample: http://samples.audible.de/pe/hbsp/150410/pe_hbsp_150410_sample.mp3. Digital audiobook in aax.

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Freetrader Orion: Asteroid Raiders: Volume 1 , ...
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The Freetrader Orion has made a stop to deliver supplies at an Asteroid mining facility when the asteroid suddenly comes under attack by strange spider-like creatures intent on destroying the ore refinery. With his crew and ship at risks from the strange creatures, Captain Kiel Dorn leads a strike against them. Once the creatures are driven off, Captain Dorn wants to find out where they came from and why they attacked the refinery... 1. Language: English. Narrator: Alexander Edward Trefethen. Audio sample: http://samples.audible.de/bk/acx0/017617/bk_acx0_017617_sample.mp3. Digital audiobook in aax.

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The Last Raider , Hörbuch, Digital, 1, 853min
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December 1917. Germany opens the final, bitter round of the war with a new and deadly weapon in the struggle for the seas - the Vulcan sails from Kiel Harbour. To all appearances she is a harmless merchant vessel. But her peaceful lines conceal a merciless firepower; guns, mines and torpedoes that can be brought into play instantly. The Vulcan is a commerce raider and her mission is to bring chaos to the seaways. 1. Language: English. Narrator: David Rintoul. Audio sample: http://samples.audible.de/bk/bbcw/006573/bk_bbcw_006573_sample.mp3. Digital audiobook in aax.

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Frankie's Letter , Hörbuch, Digital, 1, 599min
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A thrilling World War One spy story from the author of the acclaimed Jack Haldean series. "There's a spy in England. Frankie's letter. Read Frankie's letter...." The last words said by a dying man to Anthony Brooke in Kiel in Germany during the height of World War One. But who is Frankie?With his cover blown and the German army at his heels, English secret agent Anthony Brooke's search to discover the truth leads him to an innocent-seeming country house. Here, deep within the English countryside, as Anthony uncovers a web of spies, treachery and terrorists, the war becomes close and very personal. 1. Language: English. Narrator: David Thorpe. Audio sample: http://samples.audible.de/bk/adbl/014117/bk_adbl_014117_sample.mp3. Digital audiobook in aax.

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The influence of absurdist theatre on in-yer-fa...
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Seminar paper from the year 2017 in the subject English Language and Literature Studies - Literature, grade: 2,3, Christian-Albrechts-University of Kiel, language: English, abstract: "In-Yer-Face Theatre is to the 1990s what absurdism was to the 1950s" In the following paper, I'd like to investigate whether this statement is true or if both movements should be seen as two different theatre forms without any connection. As a basis of my investigations serves Agnes M. Kitzler's study about the influence of Absurdist Theatre on Contemporary In-Yer-Face Theatre (Kitzler, 2011) as well as Aleks Sierz' book on In-Yer-Face-Theatre (Sierz, 2001) and Martin Esslin's book on the Theatre of the Absurd (Esslin, 2001). I will mostly try to give a general overview about similarities and differences between absurdism and In-Yer-Face Theatre before I give distinct examples of Samuel Beckett's play Endgame and Mark Ravenhill's Shopping and F ing and finally come to a conclusion if In-Yer-Face Theatre is to the 1990s what absurdism was to the 1950s or not. I firmly believe that as this paper is limited to seven until eight pages it is more important to give a general overview which is more effective to answer the question whether both movements show similarities or not. However, I think it is important to undertake several aspects a closer examination in a broader study, which could be, for example, a bachelor thesis.

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Stand: 30.03.2020
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The influence of absurdist theatre on in-yer-fa...
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Seminar paper from the year 2017 in the subject English Language and Literature Studies - Literature, grade: 2,3, Christian-Albrechts-University of Kiel, language: English, abstract: "In-Yer-Face Theatre is to the 1990s what absurdism was to the 1950s" In the following paper, I'd like to investigate whether this statement is true or if both movements should be seen as two different theatre forms without any connection. As a basis of my investigations serves Agnes M. Kitzler's study about the influence of Absurdist Theatre on Contemporary In-Yer-Face Theatre (Kitzler, 2011) as well as Aleks Sierz' book on In-Yer-Face-Theatre (Sierz, 2001) and Martin Esslin's book on the Theatre of the Absurd (Esslin, 2001). I will mostly try to give a general overview about similarities and differences between absurdism and In-Yer-Face Theatre before I give distinct examples of Samuel Beckett's play Endgame and Mark Ravenhill's Shopping and F ing and finally come to a conclusion if In-Yer-Face Theatre is to the 1990s what absurdism was to the 1950s or not. I firmly believe that as this paper is limited to seven until eight pages it is more important to give a general overview which is more effective to answer the question whether both movements show similarities or not. However, I think it is important to undertake several aspects a closer examination in a broader study, which could be, for example, a bachelor thesis.

Anbieter: buecher
Stand: 30.03.2020
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